The structure of the Universe

“Interstellar library Mexico city” from reddit.com

The assertions made in this post can be followed further in their implications.

Because the future structure already exists and because the past structure still exists, and since neither ever were pre-determined, it follows that every possible configuration exists at the same time.

Even if there were strict determinism, the structure would still be immutable.

That is, the Universe is perfectly static. Not a single breeze whispers in the Universe. Nothing new ever comes to being [2].

In fact, this principle manifests itself in the recesses of our very own reasoning. Nothing new can be deduced from previous assumptions and logical operations, that wasn’t manifested by those before.

It is therefore our conscience that moves in the Universe, or relative to the Universe [1].

The Universe is deterministic in that structural sense, but not our experience.

_______

[1] Conscience, as stated elsewhere, is a motion in the Universe. And as also stated before, in one of its variations, we are not a thing, not an object, but an operation. This operation was also before identified as an inversion.

[2] In particular, nothing new can be derived from the separation of a single thing and this is is accordance with nondualistic metaphysics.

[3] from what Sabine Hossenfelder explains here about the nature of light in the context of the space-time continuum, and based on my previous assertions on the subject, we can conclude that light is not in motion, it is our conscience that is in motion instead, and light is the only direct perception we can have about the structure of the Universe. That is, light is the most real approximation we are able to perceive about the structure of the Universe. We are in motion relative to light, its not light that is in motion; light is stationary in the sense that it is part of the structure of the Universe, a time-invariant structure, in fact, a time-less structure (hence light itself is not in motion). Another implication is that while we aproach the speed of light, we are in absolute terms (from the PoV of the Universe) slowing down to zero.

Engenharia no Portugal Camponês

Disclaimer: This content is made public under the terms and conditions stated in the user agreement which you can read here. Access to this page or to any of its resources, direct or otherwise, implies acceptance with all the terms and conditions thereby stated.
____________

Palavras para quê? Um fiel retrato de época que explica como é que chegámos ao ponto onde estamos hoje em engenharia neste país.

Apreciem como a criada se coloca em sentido perante o Sr Engenheiro quando este chega a casa, e a primeira coisa que ele faz é interrogar se o jantar está pronto. A resposta, naturalmente, é um confiante e submisso “Está sim, Sr Engenheiro”.

Mas as semelhanças não ficam por aqui nesta produção portuguesa profética. No último episódio, os filhos do proprietário de um restaurante antigo adquirem a propriedade deste por meios duvidosos, com o intuito de o converter num snack-bar. É o que acontece ainda hoje com as escolas de engenharia legacy, que tentam a todo o custo reconverter em snack-bares de engenharia com o intuito de cativar as novas gerações de Srs Engenheiros.

Primeira telenovela portuguesa, exibida em 1982, sobre a vida de uma família da classe alta e proprietária de uma empresa de vinhos chamada “Vila Faia”, e que pretende ser um retrato da sociedade portuguesa da época. Os problemas no seio da família, os crimes acontecidos na empresa e o romance de João Gudunha e Mariette são os temas principais desta trama. Nos principais papéis estavam Nicolau Breyner, Margarida Carpinteiro, Ruy de Carvalho, Rosa Lobato Faria, Mariana Rey Monteiro, Ana Zanatti, Varela Silva, Glória de Matos, entre outros.

True Machine Learning

While the Medieval Age of engineering feasted on the misinformation and disinformation about machine learning and artificial intelligence, I have been addressing the real problems.

Today true machine learning is born.

Today the Dark Age on this subject has passed.

True Artificial Intelligence is now being woven, a beautiful child that will come forth from the thoughtful and artistic womb of dutyful posterity.

For a context about this subject please refer to my 2019 article, since my position hasn’t changed since then. You also benefit from reading this other article.

The presentation, without the demonstration, can be downloaded here.

The communications to the Portuguese Instituto Nacional da Propriedade Industrial, the European Patent Office and the United States Patent and Trademark Office can be accessed by clicking on the respective links.

presentation
demonstration

You can watch the videos above on Rumble:
True Machine Learning
True Machine Learning – Demonstration

March 2025 Update:
This model became the basis for a proper, scientific machine model of Reasoning which is described here.

____________
Header image: citological drawing by Ramon y Cajal.

Wrist vibrato

This video records my main findings after studying the wrist vibrato on the violin for the past few months. This technique involves a number of different factors that I believe should be addressed and developed separately so as to make it easier to develop the proper wrist vibrato.

Hand angle relative to the neck
Finger pressure
Thumb support
Wrist vibration

Its worth noting that it is not enough to do the right things to play the vibrato, because we depend on strenght and flexibility on different parts of the fingers, and these can only be developed in time.

So, if you are doing everything right and still you can’t do the vibrato properly, that is the most likely reason and I believe that my approach here can help you pinpoint the factors that are hindering your performance.

Below is an illustration of the suggested increase in amplitude for the wrist vibrato. This helps avoid a kind of “resonance” that amplifies the violin shaking.

Practising what I preach:

____________
This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.