The goal of music and art is not to be beautiful. Its goal is ultimate truth.
Sergiu Celibidache

by Mário Vicente 马君皓
The goal of music and art is not to be beautiful. Its goal is ultimate truth.
Sergiu Celibidache

A rare ocasional slip and everything is just perfect — a perfect wrong note as William Westney put it.

This is a parody of the movie ‘Interview With the Vampire’, the scene where Lestat scolds Claudia for having tried to kill him (the sound is muffled because I am using a mute).
You can find here another amazing take on this scene (Sonata in E flat, Haydn).
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I made this study on the above mentioned theme. The images are from the Russian movie ‘A Hunting Accident’ (1978, dir. Emil Loteanu).
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I made this transcription after Enrico Caruso interpretation of ‘E lucevan le stelle’ (Tosca, Puccini).
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
They can be clockwork, which deems them just too perfect. Such as in this 2nd Waltz by Schostakowitsch.

I made a caprice based on the music ‘Saffron’s Curse’ by Cradle of Filth (album Midian, 2000).
Its called Saffron’s Caprice.
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I made a transcription from the song ‘A Kiss to Remember’ by the doom & gloom merchants My Dying Bride (album ‘Like Gods of the Sun’, 1996).
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I played J. S. Bach ‘Air on the G string’.
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I illustrate a typical training session which I structure in 3 parts:
1. warmup; I use it to practice critical or complex pieces that require several days or weeks to develop because in the beginning of the session I am still fresh and not tired.
2. current undergoing exercises; which if needed can be moved to part 1 to keep overall progress unimpeded.
3. motivational; in the end I reward myself with a new experiment or some piece I want to learn to play. No goals and no expectations. This is where I develop the ideas and performances I record in the other videos.
The background artwork is from Tiamat’s album ‘Wild Honey’ (1994) cover, which I consider a landmark in progressive death metal.
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.