by Mário Vicente 马君皓
I made a short transcription from Mahler’s 5th Symphony (Trauermarsch) and named it ‘Funeral Caprice’.
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I played the Canon by Pachelbel (2nd half) with an excerpt from the BBC mini-series ‘Parade’s End’ (2012).
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I played ‘A Time for Us’ from Romeo & Juliet (arr. by Marie Leloup).
Images from Franco Zeffirelli’s movie with Olivia Hussey and Leonard Whiting (1968).
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
I played a small étude by Maia Bang, from her Method for Violin which I have been following.
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This recording is kept for historical reasons since it is not recent and I am practising & improving everyday. It is about the development process, not the actual technique.
If you don’t get it, don’t bother — its for nerds anyway.
After a session, got into the car, turned the radio on and everything falls into place.
A remastered recording of Enrico Caruso on ‘E lucevan le stelle’ (from Tosca, Puccini).
I later made a transcription of this for violin which you can find here.
I have been feeding urban birds in my balcony for some time now, and I realized for the first time that what we savagely call celebration (the fireworks) must be terrorising every single soul that lives and breathes in a bush near a street.
We are so sophisticated in our psychosis. That is indeed a legitimate reason for celebration.
… if you are bound to the ground. Study this well, because this is a form of art when perfected by experience.
Sport is a form of expression of a performer who is also therefore an artist.
Oscar Langburne. The performative dream of a brand. The artistic dream of a sport.
There are a few reasons why we should admire young performers. I will give you a number of those in time. It is certainly a transient state, but not one without its merits.
Let us for now start with Joshua Galasse and let the argument be Mendelssohn’s Violin Concerto in E minor.
Compliments of the Author 